An organized pick pocketing gang names their members after numbers. 55, an orphan teenage pickpocket working in the streets of Mumbai, embarks on a life-alerting journey when he’s being confronted by the daughter of one of his victims.

Based on Herman Bang's novel Mikael, Vingarne is a silent melodrama about an artist's love for his newfound male model. Radically, the film opens with director Stiller and his cinematographer coming across a sensual staue of Icarus in the gardens in Stockholm. Then the movie proper begins, with artist Claude Zoret struck by love at first sight for the young Mikael in a woodland; he adopts Mikael, who serves as inspiration for his latest sculpture. Inevitably Mikael gets his wings burnt when he starts courting Zoret's patron, the unscrupulous Lady Lucia; pained by Mikael's desertion, Zoret dies during a fierce storm before his staue of the naked boy. 　　Watching Vingarne 75 years after its production is an extraordinary experience. It's easy to get caught up in the fragmentary feel of the narrative, to work too hard at following the story instead of giving up to its original allusiveness. So, some tips to tap into that intended sense: First, bear in mind that both novelist Bang and director Stiller were known to be gay. 　　Second, it's interesting to compare Vingarne with Carl Dreyer's film of the same novel (also called Mikael). Many of the greatly sensual scenes from Dreyer's film are foreshadowed in the first version. 　　Finally, the most startling--and infuriatingly brief--thing about Vingarne is the framing device and the idea of a film-within-a-film. Confronted by the barest remains of his extraordinary conceit, we can only imagine what the original felt like. 　　##from: http://www.gay.com/entertainment/movies/reviews/?733

Based on Herman Bang's novel Mikael, Vingarne is a silent melodrama about an artist's love for his newfound male model. Radically, the film opens with director Stiller and his cinematographer coming across a sensual staue of Icarus in the gardens in Stockholm. Then the movie proper begins, with artist Claude Zoret struck by love at first sight for the young Mikael in a woodland; he adopts Mikael, who serves as inspiration for his latest sculpture. Inevitably Mikael gets his wings burnt when he starts courting Zoret's patron, the unscrupulous Lady Lucia; pained by Mikael's desertion, Zoret dies during a fierce storm before his staue of the naked boy. 　　Watching Vingarne 75 years after its production is an extraordinary experience. It's easy to get caught up in the fragmentary feel of the narrative, to work too hard at following the story instead of giving up to its original allusiveness. So, some tips to tap into that intended sense: First, bear in mind that both novelist Bang and director Stiller were known to be gay. 　　Second, it's interesting to compare Vingarne with Carl Dreyer's film of the same novel (also called Mikael). Many of the greatly sensual scenes from Dreyer's film are foreshadowed in the first version. 　　Finally, the most startling--and infuriatingly brief--thing about Vingarne is the framing device and the idea of a film-within-a-film. Confronted by the barest remains of his extraordinary conceit, we can only imagine what the original felt like. 　　##from: http://www.gay.com/entertainment/movies/reviews/?733

海伦娜·伯翰·卡特饰演了一位对医疗机构制度不满的精神病人，她持续反抗，希望病人们的待遇得到改善。希拉里·斯万克饰演的律师偶然之下代理了这个案子，她没有想到的是，这个病人的坚韧和勇敢最终感染了自己，令这份只为交差的工作变成了她为之奋斗一生的事业。

海伦娜·伯翰·卡特饰演了一位对医疗机构制度不满的精神病人，她持续反抗，希望病人们的待遇得到改善。希拉里·斯万克饰演的律师偶然之下代理了这个案子，她没有想到的是，这个病人的坚韧和勇敢最终感染了自己，令这份只为交差的工作变成了她为之奋斗一生的事业。

在1991年的秋天，一群的克罗地亚士兵搭着一个简易的装甲车去巡逻，不久后他们遭遇到伏击，他们的车辆被敌人摧毁，他们被迫在附近的一所房屋躲藏起来。他们驻扎在那所房子里进行了24小时的战斗.......电影的故事情节是根据克罗地亚独立战争期间发生的真实事件。

在1991年的秋天，一群的克罗地亚士兵搭着一个简易的装甲车去巡逻，不久后他们遭遇到伏击，他们的车辆被敌人摧毁，他们被迫在附近的一所房屋躲藏起来。他们驻扎在那所房子里进行了24小时的战斗.......电影的故事情节是根据克罗地亚独立战争期间发生的真实事件。

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55 Km/sec is a love story set on the last day of planet Earth. A cataclysmic event has occurred, life as we knew it is ending, and people have retreated into their shells as they wait for the end of the world. Two large rocks are about to crash into each other and compared to that human life in all its complexity seems so fragile and pointless. Not knowing what’s coming next, people repeat their habits from the before-times, go to the grocery store, pack their bags like they are going somewhere, try to find what shelter and safety they can, say their goodbyes and begin the countdown to the end.

In 1950s England, Alice Lawson, a strictly self-disciplined wife and mother and celebrated television cook, spends an unplanned night alone at the mysterious Clove Hotel.